In an era where digital convenience often outweighs tactile soul, MidiQ emerged from a singular passion: the preservation and mastery of vintage synthesis. As a new player in the boutique music tech field, our mission isn't just to build tools, but to bridge the gap between the golden age of hardware and the modern studio workflow.
The Giants of the Past
The 1980s and early 90s represented a titanic shift in musical history. The labor and engineering prowess required to develop the icons - the Yamaha DX7, the Roland D-50, and the Korg M1 - were nothing short of revolutionary. These machines defined the sound of generations, yet they shared a common, frustrating trait: they were notoriously difficult to program. Digging through nested menus on tiny, non-backlit LCD screens often stifled the very creativity these synths were meant to inspire.
Alongside these legends came the birth of MIDI. Even though it is now over 40 years old, MIDI remains the undisputed universal language of music gear. It is the invisible thread that connects a modular rig from 2026 to a drum machine from 1984.
The Birth of BCEditor
At MidiQ, we confess a deep, unapologetic love for physical knobs and glowing LEDs. There is a tactile "flow state" that only hardware can provide. When we looked at the Behringer BCR2000 and BCF2000, we saw the perfect canvas: rugged, affordable controllers with high-density encoders — and a global community of musicians who had already built an incredible body of knowledge around them.
What was missing was a single place to bring all of that together. MidiQ built BCEditor to be exactly that: one free tool for every BC owner, wherever they are in the world. A place to create, share and discover presets — turning a collection of individual setups into a living, growing community library.
BCEditor allows you to:
- ● Map complex SysEx strings to physical encoders with ease.
- ● Share your presets and discover what the community has built for your gear.
- ● Get up and running in seconds — for free, with no install required.
Standing on the Shoulders of Giants
The development of BCEditor would not have been possible without the foundations laid by those before us. We owe a debt of infinite thanks to Mark van den Berg of Mountain Utilities.
His exhaustive labor in deciphering and documenting the BCL language (the native language of the BCR/BCF series) provided the roadmap for our journey. While MidiQ brings a new aesthetic and modern codebase to the table, Mark's contributions remain the bedrock of the BC community.
Equally essential is the work of Michael Kukat, whose meticulous documentation on sequencer.de covers the full scope of BCL configuration and provides a comprehensive token reference — the definitive guide to every command the BCR/BCF series understands. His work is an indispensable resource for anyone building tools that speak BCL.
We also owe thanks to Royce Craven, whose site bwalk.com.au has long been a treasure trove for the BC community. From his SecretBC document uncovering features Behringer never formally documented, to a rich library of BCR2000 presets spanning instruments from the Yamaha DX7 to the Korg DW6000, Royce's practical contributions helped the community understand what the BC series was truly capable of.